“World Ballet Company is dedicated to demystifying the art of ballet.”
“Swan Lake is brought to life by an exceptional ensemble with detailed hand-crafted costumes and rich storytelling.”
“A heightened sense of reality, folk tales, and folk dances transmogrified into sinuous spectacle”
“Like a time capsule, capturing the richness and fullness that once defined all ballet”
“Classic ballet traditions while adding new choreography, hand-painted sets, and beyond beautiful hand-sewn costumes”
“One of the most transcendent cultural experiences I have had in a long time”
Nadezhda Kalinina is an acclaimed choreographer of more than 60 choreographic works for various theatrical and concert programs. St. Petersburg Conservatory graduate.
At the age of 14, she had already worked as a teacher of choreography and, by 15, had created her first choreographic classes—currently, she was the chief choreographer of the Omsk State Musical Theater.
Her ballets were staged in theatres of Russia and other countries, including the Mariinsky Theater, the St. Petersburg Chamber Opera Company, the St Petersburg Theater of Musical Comedy, the Voronezh State Opera and Ballet Theater, the National Opera and Ballet Theater of Baiseitova, the Rostov State Musical Theater, the Omsk State Musical Theater, the Musical Theater of the Republic of Karelia, the Sverdlovsk State Theater of Musical Comedy, the St. Petersburg State Theater Through the Looking Glass, Teatro Lirico Cagliari, and others.
Sergey Novikov is an acclaimed set and costume designer, St.Petersburg Repin Academy of Arts graduate, and the former principal designer of the Omsk State Musical Theater.
As a production designer, he has worked on over seventy productions in the most prominent companies across the globe.
Sergey Novikov work is referred to as “a surprise and delight. They are so colorful and airy that they make one believe in magic!”
Irina Prokofieva is a Vaganova Ballet Academy graduate. After graduation, she was immediately invited to the Mariinsky Theatre in St Petersburg, where she worked for 18 years and have performed, among others, several solo roles choreographed by Marius Petipa, Lev Ivanov, August Bournonville, Mikhail Fokine, Vaslav Nijinsky, Leonid Lavrovrovsky, Vasily Vainonen, Yuri Grigorovich, Leonid Yakobson, William Forsythe, Alberto Alonso, George Balanchine and other choreographers.
In 2009 Irina enrolled in the Faculty of Education at the Vaganova Ballet Academy and obtained a master’s degree in education in 2012.
In 2010 Irina was granted the title Emeritus Professor of the Jilin Institute of Art.
Between 2013 and 2024, she gave several master classes in classical ballet as well as seminar-lectures worldwide in places such as Changsha, Nanjing, Seoul, Busan, Rapallo, Dezhou, Suzhou, Zürich, Bucharest, Varna, and most recently Budapest.
In 2019 Irina was invited to Budapest as a ballet master and joined the Hungarian State Opera, where she worked for 5 years closely with renowned choreographers and diverse styles of ballet.
Irina also published a book dedicated to the ballet classes held by one of the great ballet masters of his time, Sergei Vikharev.
Starting from 2024, Irina Prokofieva is the guest répétiteur of the World Ballet Company.
Anna Fokina's journey into ballet began with the guidance of her mother, transitioning from a professional figure skating background to the world of ballet. She started training at a ballet school, later balancing her studies at the Conservatory with her work as a ballerina in a theater. Anna cherishes learning from some of the most distinguished figures in ballet, including Nikita Dolgushin, Nikolai Boyarchikov, Gabriella Komleva, and others who significantly influenced her artistic growth.
Her career is marked by a diverse repertoire and experiences across three different theaters, where she embraced roles in romantic, classical, and contemporary ballets. Anna's work with choreographers like George Balanchine, José Limón, and Jiří Kylián, along with her involvement in original productions by Nikita Dolgushin, Nikolai Boyarchikov, and Valentin Yelizariev, enriched her artistic journey.
Anna believes that a performance's success lies in the depth of understanding a role, which involves thorough research, collaboration with teachers, and a genuine connection to the character. She values mutual respect and understanding within the theater environment, which is crucial for success. Anna advises aspiring dancers to trust their teachers, remain committed to learning, and always strive to be their best.